Eugene Wang

A native of Jiangsu, China, Eugene Yuejin Wang studied at Fudan University in Shanghai (B.A. 1983; M.A. 1986), and subsequently at Harvard University (A.M. 1990; Ph.D. 1997). He was the Ittleson Fellow at the Center for Advanced Studies in Visual Art, National Gallery of Art, Washington, D.C. (1995-96) before joining the art history faculty at the University of Chicago in 1996. His teaching appointment at Harvard University began in 1997, and he became the Abby Aldrich Rockefeller Professor of Asian Art in 2005.

He has received the Guggenheim Fellowship, Charles A. Ryskamp Fellowship from the American Council of Learned Societies, and postdoctoral and research grants from the Getty Foundation.

His book, Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China (2005) has received the Academic Achievement Award in memory of the late Professor Nichijin Sakamoto, Rissho University, Japan. He is the art history associate editor of the Encyclopedia of Buddhism (New York, 2004).

His thirty or so articles published in The Art Bulletin, Art History, Critical Inquiry, Res: Journal of Anthropology and Aesthetics, Public Culture, and elsewhere, cover a wide range of subjects, including ancient bronze mirrors, Buddhist murals and sculptures, reliquaries, scroll paintings, calligraphy, woodblock prints, architecture, photography, and films. He has also translated Roland Barthes’ Fragments d’un discours amoureux into Chinese, and wrote the screenplay for a short film, Stony Touch, selected for screening in the 9th Hawaii International Film Festival.

http://roomfordebate.blogs.nytimes.com/2009/05/02/chinese-language-ever-evolving/

 

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